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HAPPY BIRTHDAY COMRADE Diego Rivera! Today is your day. The homeland is now ripe for the long anticipated Descent into Chaos. We honour you and extol your virtues 125 years after your birth. Don't you want to puke. I was prepared yesterday for something honouring the Day of Infamy at 70 years hence, but Google had nothing to offer servicemen and women who were sacrificed for the greater good to induce a war on fascism around the world. Today instead we honour a great communist who many probably never ever heard of before.
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In the lead image we see the new day dawning as the worker on the scaffold paints the sun. In a parody with Pearl Harbour Japan's attack, the nation symbolized with the rising sun on its flag. There is a concealed face under the scaffold illustrating again that this is a surprise attack. The enemies are concealed within perhaps like Manchurian Senators or Presidents without a documented birth certificate. The mother and child are asleep like most of America's people. The worker is looking away as the airplane approaches the tower as in the 9/11 attack and this is only one mural. There are others. Of note the scaffold even symbolizes the artists that were allowed to work on the WTC prior to its destruction and presage the event.
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Diego Rivera is returning to of all places New York with an exhibit at the MOMA Museum of Modern Art. Of course the symbolism should not be left out because the primary target for destruction by the globalist nee communist forces has always been New York. In lieu of the contract being put out to man the FEMA camps, we cannot underestimate the lead mural The Uprising.
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In the previous exhibition December 22, 1931, to January 27, 1932 attendance records were set. The dates are significant. December 22 is the start of the annual solstice. It is a date not very far off. The Manchurian communist plants have set the stage dealing with the 'uprising'. In another there is no mistake about the interpretation.
The Conquistador who may be represented as a capitalist and Vatican soldier is knocked down to the ground and finished off with the blade which appears more like a stone as opposed to steel. It is a natural, green murder.
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Next we must really be concerned with the mural Frozen Assets. Just like before, the nations are at the brink economically as we face what is coined Economic Armageddon. Do not doubt for a minute that assets will not only be frozen but disappear into the thin air from whence they came.
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We see the banker at the gate controlling access to wealth. We see the skyline above the secret space under the watchful eye of one solitary man. This is the homeless shelter or dare we imply FEMA camp. Can we see a parallel to the vaults under the WTC towers? We are gifted with hindsight now.
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Another masterpiece is Agrarian Leader Zapata. Behold his white or pale horse of the Revelation. Behold the fallen soldier beneath him as the communist agrarian seizes the reins. We are at the brink my friends. The revolution began a long time ago. It is at the point of fruition that's all.
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And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him. And power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth.
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Now that we have your undivided attention we extol the twist to the story presented in mural form. Our forefathers would have none of it. When Man at the Crossroads was readied for display at Rockefeller Center there was a dispute over the focal piece being Vladimir Lenin. Rockefeller wanted it changed; the artist refused. The workers smashed it to pieces. That is your cue and your guide. You have the free will choice to alter the fate they present. Whether they understood it or not, the mural depicts cells representing biological warfare. Atop there are galaxies perhaps representing the Mayan prophecy of today. We are at the crossroads. It is our choice to decide which road we must take. The long, narrow one hints as my choice. The broad, well travelled one will lead to the FEMA camp, war, frozen assets and the pale horse. That's why I'm George Freund. That's why Conspiracy Cafe is the point of the sword. If you're reading this you already know this.
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A small part of the recreation of Man at the Crossroads now renamed as Man, Controller of the Universe the famous Lenin portion (depicting communism) which upset Rockefeller. | |
- In typical New World Order drivel; this mural Man, Controller of the Universe; we see the globalist mantra that they can supercede God and rule the Cosmos. The crops at the bottom almost imply GMO's as we know them now. The hand clutching the ball reminds us of the project the globalists are working on to create the new form of android life with SINGULARITY the end of life as we know it. - - En el Arsenal detail, 1928 (He who has the gold makes the rules until he who has the guns establishes his rule. Make sure its we the peoplew who have arms or rue your fate.) - - The Kid (Is Mother a SINGULARITY?) This picture was heavily cropped from source. |
Categories: New World Order, Google Doodles