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  • Secrets of the Dead S9 EP6 Deadliest Bat...
    by Conspiracy Cafe on January 10, 2018 at 10:35 PM
    46 Views - 0 Comments


    Secrets of the Dead: Stalingrad, the Deadliest Battle



    German troops advance through the debris of the factory district in Stalingrad. National Archives.

    Like two players in a game of chess—one of monumental proportions and deadly results—totalitarian leaders Adolph Hitler and Josef Stalin moved pieces on a chessboard of more than one million square miles in World War II. The 1941 invasion of the Soviet Union by the Nazi war machine produced the largest land battle the world had ever seen and led to what many say was the pivotal event in Germany’s downfall, the Battle of Stalingrad. Now Thirteen (WNET) introduces a new documentary about that battle in an episode of its popular series entitled Secrets of the Dead: Deadliest Battle, premiering May 19 on PBS (check local listings for times).

    Though less familiar to American audiences than campaigns and battles in the Pacific and Western Europe, the Eastern Front war between Germany and the Soviet Union has been the subject of documentary and dramatic film treatments for years. Brian J. McDonnell, producer, director and editor of the program, explains the impetus behind the project.

    “I’ve always been interested in World War II because I had so many uncles that fought in it. I started focusing more on the Eastern Front myself and I just felt a lot of people don’t know about Stalingrad, so I thought maybe I’d make my first documentary on that. It was kind of by chance that (David) Glantz was making the trilogy so it all worked out well for me.”

    The Stalingrad Trilogy is a new series of books by retired U. S. Army Col. David L. Glantz, a military historian who is an accomplished chronicler of the Eastern Front in World War II but who only recently tackled the complex subject of the Stalingrad campaign. What he envisioned as one 400-page book, he explains in the program, quickly ballooned into three volumes totaling 2,700 pages. Besides unraveling material from Soviet archives that has only become available in the last decade, Glantz was able to make use of the records of the German Sixth Army, which had been lost for fifty years.

    “With all this information,” says McDonnell, “Glantz started addressing what he saw was an incomplete view of Stalingrad. If you start adding in these other factors, you start to get a better picture of why the German Sixth Army and parts of the Fourth Panzer Army got annihilated at Stalingrad. It wasn’t just the city fighting.”

    Using archival footage, on-camera commentary by Glantz and Col. Kevin W. Farrell, Chief of Military History at West Point, and interviews with veterans of both sides, the film tells the story of the German invasion of the USSR in June 1941, Operation Barbarossa. The rapid advance, blitzkrieg style, of the combined German armor, air and infantry forces caught the Red Army unprepared for total warfare. Men and territory were chewed up at an alarming rate across a broad front until the Ostheer (the German army in the East) began to run out of steam as the fierce Russian winter arrived. Despite this development, the Germans still managed to quell serious resistance to their occupation of a large north-south front. Even though he made crucial mistakes himself, Stalin looked for someone to blame. Among those in the firing line was his political officer, Nikita Khrushchev.

    Sergei Khrushchev, now a senior fellow at Brown University, appears in this program and gives insight into how his father dealt with the volatile Soviet dictator.

    “Right away he wanted me to read his father’s memoirs,” explains McDonnell. “So I read his memoirs. Then we actually spent an hour just talking about Stalin’s seizure of power, the revolution, the purges—very interesting stuff. He was very open, pleasant to talk to.”

    The younger Khrushchev’s recollection of events and conversations is one of the revealing pieces of analysis that are among the strengths in this documentary. Another is how the obsessive natures of both dictators allowed them to discard advice, even intelligence, in favor of their own ideas and views. The result of this was a wasting of the equipment and soldiers’ lives at a pace never seen before or since.

    In the summer of 1942 the German army was still hanging on and Hitler shifted focus to the south, to the Soviet oil fields and the industrial city of Stalingrad—the latter an objective more symbolic than strategic. Part of the new thinking of this film is that the initial withdrawals of the Red Army during the campaign, called by the Germans Fall Blau (Case Blue, the summer 1942 German offensive in the southern USSR), were acts of desperation, not tactical moves planned by Stalin. The Soviet dictator ordered no pullbacks—and even created “blocking detachments” of secret police to hold impossible positions. The result was the same: an unprecedented urban battle occurred in which the German forces weakened as the Red Army found strength.

    The key points leading to the Soviet counterattack that cut off and strangled a German force of more than 108,000 in Stalingrad are carefully laid out. Throughout the film, actor Liev Schreiber (Defiance, The Manchurian Candidate) clearly and skillfully narrates the events and decisions of the monumental struggle. The veterans interviewed give emotional details of life at the front. A few different visual elements (animation of a T-34 tank, Stalingrad monuments today) break up the carefully researched and edited period clips. Other documentaries, however, have good, sometimes rarely seen archival clips as well. The BBC’s The World at War series, for example, has a better combat camera look and more specific clips of the city fighting and Stalingrad events. Secrets of the Dead: Deadliest Battle also contains little on the contributions of the field commanders, especially the Red Army’s Georgi Zhukov and Vasili Chuikov. However, in analyzing the campaign’s development with fresh thought and evidence, the program is first-rate and is sure to raise suppositions about what might have happened if the most deadly military campaign in history had not been run by two complete egomaniacs.

  • We Need to Talk About the Iran Protests
    by Conspiracy Cafe on January 10, 2018 at 5:09 PM
    34 Views - 0 Comments

    Are these protests in Iran spontaneous, or are they the result of another regime change operation? This week on The Corbett Report, James explores the past, present and future of US and Israeli involvement in Iran, and the attempts to foment unrest in the country.

  • Jeff & Gerald Celente - The Cyrpto Explo...
    by Conspiracy Cafe on January 10, 2018 at 9:47 AM
    40 Views - 0 Comments

    EXPOSED: The Real Creator of Bitcoin Is Likely the NSA as One World Currency

    Are The Banksters Creating Their Own Cryptocurrency Called 'Utility Settlement Coin'?

    The Washington Post Says That Fedcoin Will Be 'Bigger' Than Bitcoin;

  • In Search Of.. S1 EP4 The Bermuda Trian...
    by Conspiracy Cafe on January 9, 2018 at 9:58 PM
    36 Views - 0 Comments

    In Search of... is a television series that was broadcast weekly from 1977 to 1982, devoted to mysterious phenomena. It was created after the success of three one-hour TV documentaries produced by creator Alan Landsburg: In Search of Ancient Astronauts in 1973 (based on the book Chariots of the Gods? by Erich von Däniken), In Search of Ancient Mysteries and The Outer Space Connection, both in 1975 (later adapted into popular paperbacks written by Landsburg). All three featured narration by Rod Serling, who was the initial choice to host the spin-off show. After Serling's death, Leonard Nimoy was selected to be the host.

    04 04 "The Bermuda Triangle" - - - - - - April 27, 1977 

    The Bermuda Triangle: Probes a radio broadcast claim that the graveyard of ships and planes is actually a testing area for spacemen.

    The Bermuda Triangle, also known as the Devil's Triangle, is a loosely-defined region in the western part of the North Atlantic Ocean, where a number of aircraft and ships are said to have disappeared under mysterious circumstances. Most reputable sources dismiss the idea that there is any mystery. The vicinity of the Bermuda Triangle is amongst the most heavily traveled shipping lanes in the world, with ships frequently crossing through it for ports in the Americas, Europe and the Caribbean islands. Cruise ships and pleasure craft regularly sail through the region, and commercial and private aircraft routinely fly over it.

    Popular culture has attributed various disappearances to the paranormal or activity by extraterrestrial beings. Documented evidence indicates that a significant percentage of the incidents were spurious, inaccurately reported, or embellished by later authors.


    by Conspiracy Cafe on January 9, 2018 at 4:10 PM
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    Reports of "10,000 sealed indictments to take down the Khazarian mob," and the US base at Guantanamo being readied to incarcerate the greater part of the US Government and the GPS monitoring boots being sported by Hillary Clinton and John McCain are but the latest iterations of an established genre of "hope porn" that pervades the clickbait culture of the alternative media. Much of it has sprung from the fertile imagination of Benjamin Fulford but lately, a figure known as Q Anon has saturated the space with a special brand of what Joseph Farrell calls "Trump messianism".

    Farrell joins Dark Journalist Daniel Liszt with an excellent analysis of the Q Anon phenomenon. The message seems to be so perfectly tailored to press the buttons of pro-Trump Evangelical consumers of alternative media that it appears to be a sophisticated marketing scheme. The two speculate on who these marketers might be. The ultimate message also seems to be that Trump is a superhero who’s been anointed by God, that he will handle all of the world’s most intractable problems and we need not worry. We can sit back, relax and watch Trump’s 4D chess zoom into hyperspace.

    Q Anon has overwhelmed the field to such an extent, that when people do Internet searches using common terms from the alternative media, they will be directed to the Q material. Farrell opines that “This is controlled opposition. It’s the Hegelian antithesis to the to the Mainstream Media synthesis.”

    Daniel Liszt concludes, From the release of the JFK files to the fire at the Fed to the potential indictment of the Clintons over their foundation activities, there are many real facts on the ground that will make 2018 really powerful without the hope porn. So, no elites at Gitmo, no cabal arrests – let’s stick to what is actually happening here, there’s plenty to work with and to report on. We have the exciting work of Catherine Austin Fitts and Professor Mark Skidmore on the missing trillions, that’s a news story that’s on the ground, that’s something we can get behind.”

    That can only mean Q Anon is a Google supported part of the military industrial complex.

  • Black Mirror S01E03 The Entire History o...
    by Conspiracy Cafe on January 9, 2018 at 10:52 AM
    50 Views - 0 Comments

    A chilling insight into the 'future.' I imagine the technology is here already. Your chip is ready. Are you? 


    Black Mirror is a British science fiction anthology television series created by Charlie Brooker, with Brooker and Annabel Jones serving as the programme showrunners. It examines modern society, particularly with regard to the unanticipated consequences of new technologies. Episodes are standalone, usually set in an alternative present or the near future, often with a dark and satirical tone, though some are more experimental and lighter.

    Black Mirror was inspired by older anthology shows like The Twilight Zone, which were able to deal with controversial, contemporary topics without fear of censorship. Brooker developed Black Mirror to highlight topics related to humanity's dependency on technology, creating stories that feature "the way we live now – and the way we might be living in 10 minutes' time if we're clumsy."

    Conception and style

    Charlie Brooker had completed production of Dead Set, a zombie-based drama series, and while working on Newswipe and other programmes, had decided that he wanted to make another drama series, in an anthology style like The Twilight Zone, Tales of the Unexpected, and Hammer House of Horror. Brooker recognized that Rod Serling had written episodes of The Twilight Zone using contemporary issues, often controversial such as racism, but placing them in fictional settings as to get around television censors at the time. For Brooker, he realised he could do similar commentary on modern issues, and specifically focusing on mankind's dependency on technology, something he encountered while producing the series How TV Ruined Your Life. Brooker pulled the series' title from this approach:

    "If technology is a drug – and it does feel like a drug – then what, precisely, are the side effects? This area – between delight and discomfort – is where Black Mirror, my new drama series, is set. The 'black mirror' of the title is the one you'll find on every wall, on every desk, in the palm of every hand: the cold, shiny screen of a TV, a monitor, a smartphone."

    Brooker wanted to keep the anthology approach, using new stories, settings, characters and actors for each episode, as he felt this approach was a key element of enjoying shows like The Twilight Zone; he said "There was a signature tone to the stories, the same dark chocolate coating – but the filling was always a surprise." This approach would allow Black Mirror to contrast with current dramas and serials that had a standard recurring cast. According to Brooker, the production team considered giving the series a linking theme or presenter, but ultimately it was decided not to do so: "There were discussions. Do we set them all in the same street? Do we have some characters who appear in each episode, a bit Three Colours: Blue/White/Red style? We did think about having a character who introduces them, Tales from the Crypt style, or like Rod Serling or Alfred Hitchcock or Roald Dahl, because most anthology shows did have that... but the more we thought about it, we thought it was a bit weird."

    3 3 "The Entire History of You" Brian Welsh Jesse Armstrong 18 December 2011 

    People have implanted a "grain" behind their ear, which allows them to record everything they see and hear. Using a remote, a user can perform a "re-do", playing back their memories directly to their eye or to a video monitor. At a dinner party, Liam is suspicious of his wife Ffion's behaviour towards a man named Jonas. Returning home, Ffion admits that she used to be in a relationship with him. The next morning, Liam drunkenly heads to Jonas' house and forces him to delete every memory of sexual intercourse he had with Ffion. In the memories appearing on the monitor, Liam notices one from the time when he and Ffion were already in a relationship. Liam, afraid that he might not be the real father to his child, returns home and demands that Ffion shows him the re-do of that specific sexual encounter, in order to prove that they had used a condom. The re-do verifies that the two of them had unprotected sex. Sometime later, having been left alone in his house, Liam goes to the bathroom and uses a razor blade to cut out the grain from behind his ear.

    Starring: Toby Kebbell and Jodie Whittaker.

    Would YOU have a Netflix chip implanted in your head? Firm shows off 'Project Vista' ad inspired by Black Mirror's dark view of the future

    Netflix has an idea that will let its members binge watch their favorite content anywhere and anytime. The streaming platform revealed a bizarre chip and lens system that's implanted into the back of your head and with one tap, Netflix will stream programs right onto your eyes

  • THE POWER HOUR NATION Monday, January 3,...
    by Conspiracy Cafe on January 8, 2018 at 1:01 PM
    36 Views - 0 Comments

    Deborah Tavares

    The United States is bankrupt. WIFI is a weapon to the body. The plan to burn up California.

    Daniel Brigman

    PART 2:

    We speculate space vehicles like the X-37b which is equipped with a laser could be the weapons platform type used to start the California fires.

  • Insight - Is Anyone Listening? (1978)
    by Conspiracy Cafe on January 7, 2018 at 9:23 AM
    49 Views - 0 Comments

    Insight is an American religious-themed weekly anthology series that aired in syndication from October 1960 to January 1985. Produced by Paulist Productions in Los Angeles, the series presented half-hour dramas illuminating the contemporary search for meaning, freedom, and love. Insight was an anthology series, using an eclectic set of story telling forms including comedy, melodrama, and fantasy to explore moral dilemmas.

    The series was created by Roman Catholic priest Ellwood E. "Bud" Kieser, the founder of Paulist Productions. A member of the Paulist Fathers, an evangelistic Catholic order of priests, he worked in the entertainment community in Hollywood as a priest-producer and occasional host, using television as a vehicle of spiritual enrichment. Many of the episodes of the series were videotaped at CBS Television City and then Metromedia Square.

    It was the longest-running syndicated weekly show until Soul Train took over in 1996, and ran until 2008.

    Even the healers need healing. The mind wraps its wounds with a great deal of insulation. To penetrate to the root is timely and painful. However, the victory is great. We are complex beings. However, with prayer and faith the healing can be achieved. This is an excellent series with a stellar cast. Enjoy. 

  • The Untold History of the United States ...
    by Conspiracy Cafe on January 7, 2018 at 9:04 AM
    42 Views - 0 Comments

    The Untold History of the United States (also known as Oliver Stone's Untold History of the United States) is a 2012 documentary series directed, produced, and narrated by Oliver Stone.

    Oliver Stone and American University historian Peter J. Kuznick began working on the project in 2008. Stone, Kuznick and British screenwriter Matt Graham cowrote the script. The documentary miniseries for Showtime had a working title Oliver Stone's Secret History of America. It covers "the reasons behind the Cold War with the Soviet Union, U.S. President Harry Truman's decision to drop the atomic bomb on Japan, and changes in America's global role since the fall of Communism." Stone is the director and narrator of all ten episodes. The series is a reexamination of some of the underreported and darkest parts of American modern history, using little-known documents and newly uncovered archival material. The series looks beyond official versions of events to the deeper causes and implications and explores how events from the past still have resonant themes for the present day. Stone said, "From the outset I've looked at this project as a legacy to my children and a way to understand the times I've lived through. I hope it can contribute to a more global insight into our American history."

    Companion book

    The ten-part series is supplemented by a 750-page companion book, The Untold History of the United States, also written by Stone and Kuznick, released on Oct 30, 2012 by Simon & Schuster.

    Kuznick objected to the working title "Secret History", claiming that "the truth is that many of our 'secrets' have been hidden on the front page of the New York Times. If people think the secrets will be deep, dark conspiracies, they'll be disappointed. We'll be drawing on the best recent scholarship". It was subsequently retitled The Untold History of the United States.

    The Untold History of the United States examines World War II. It offers special attention to the Spanish Civil War, Roosevelt's desire to enter the war on the side of the allies, the strategic Japanese decisions that lead up to Pearl Harbor Attack, and the often overlooked role that the Soviet Union had in winning the war.

  • The Twilight Zone EP10 Judgement Night
    by Conspiracy Cafe on January 6, 2018 at 8:19 PM
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    The Twilight Zone is an American television anthology series created by Rod Serling. It is a series of unrelated stories containing drama, psychological thriller, fantasy, science fiction, suspense, and/or horror, often concluding with a macabre or unexpected twist. A popular and critical success, it introduced many Americans to common science fiction and fantasy tropes. The program followed in the tradition of earlier shows such as Tales of Tomorrow (1951?53), which also dramatized the short story "What You Need", and Science Fiction Theatre (1955?57), and radio programs such as The Weird Circle, Dimension X, and X Minus One, and the radio work of one of Serling's inspirations, Norman Corwin. The success of the series led to a feature film, a radio series, a comic book, a magazine, and various other spin-offs that spanned five decades, including two "revival" television series. The first ran on CBS and in syndication in the 1980s, the second ran on UPN from 2002 to 2003. In 2013, TV Guide ranked it #5 in its list of the 60 Greatest Dramas of All Time.

    Opening narration

    “ The place is here. The time is now, and the journey into the shadows that we are about to watch, could be our journey."

    "Judgment Night" is episode 10 of the American television anthology series The Twilight Zone.

    Opening narration

    “ Her name is the S.S. Queen of Glasgow. Her registry: British. Gross tonnage: five thousand. Age: Interdeterminate. At this moment she's one day out of Liverpool, her destination New York. Duly recorded on the ship's log is the sailing time, course to destination, weather conditions, temperature, longitude and latitude. But what is never recorded in a log is the fear that washes over a deck like fog and ocean spray. Fear like the throbbing strokes of engine pistons, each like a heartbeat, parceling out of every hour into breathless minutes of watching, waiting and dreading... For the year is 1942, and this particular ship has lost its convoy. It travels alone like an aged blind thing groping through the unfriendly dark, stalked by unseen periscopes of steel killers. Yes, the Queen of Glasgow is a frightened ship, and she carries with her a premonition of death. ”

    A man is seen standing aboard the deck of a British cargo liner crossing the Atlantic in 1942. The man's name is Carl Lanser and he appears disoriented, with no idea of how he got aboard or who he really is. He is staring into a thick fog when a man calls him to dinner. He enters the ship's dining cabin and joins the crew and passengers. The captain discusses German U-boats seen in the area and tries to reassure the nervous passengers that there is no sign that the ship has caught the attention of any lurking "wolfpacks." Lanser becomes annoyed and, displaying an unusually comprehensive knowledge of submarines, explains in great detail that a single ship would be of no interest to a wolfpack and instead would most likely be pursued by a single submarine. The diners ask Lanser about his profession and how long he has been in England. Lanser hesitantly tells them that he has not been there long and that he was born in Frankfurt, Germany. Lanser appears confused, claims that he is ill and takes his leave.

    While still on deck, he speaks to a female passenger whom he met at the dinner. Lanser explains to her that he has no memory of how he came aboard the ship – he knows who he is and finds each of the passengers and crew dimly familiar but can't recall specific details. His irritation grows and he begins to rant about impending doom. The captain, suspicious due to Lanser's claims of German nationality, sends an officer to escort him to the bridge. His suspicion is compounded when Lanser cannot provide details of his life and does not have his passport on hand to verify his identity. A steward is sent to Lanser's cabin. The steward finds the cap of a German naval officer among Lanser's possessions as he helps him unpack. Inspecting it in private, Lanser discovers that sewn into the lining of the cap is his own name. Disturbed, he leaves for the ship's bar.

    On the bridge, the captain and first officer are faced with a dilemma posed by the ship's engines. They are long due an overhaul and cannot maintain top speed without generating noise and thus giving away their position to any lurking U-boats. Stopping for repairs will leave them without chance of escape should they be attacked. Down in the bar, Lanser is drinking but remarks to the bartender that the engines "don't sound right" and that they are laboring. The ship comes to a halt to effect repairs at 12:05 which causes Lanser to undergo a moment of realization. Despite the crew's reassurances, he becomes certain that the ship will be attacked and announces that they will all be killed at 1:15. Unable to convince the crew of the danger, Lanser runs throughout the vessel desperately trying to persuade the other passengers to abandon ship only to find the corridors and cabins now mysteriously empty. At 1:15, a searchlight illuminates the deck and Lanser watches in horror as a surfaced U-boat, commanded by a Captain-Lieutenant Carl Lanser, immediately begins shelling the British ship. Lanser and the other passengers, now having reappeared, are killed as the ship sinks with Lanser suffering the agony of watching the innocent people die at precisely the time that he had predicted and being powerless to help them.

    Some time later, Captain Lanser is in his cabin aboard the U-boat, recording that night's kill. With him is the second-in-command who is deeply disturbed by their merciless killing of civilians and speculates whether the crew of the U-boat are now damned. Unconcerned, Lanser replies they "most certainly are" in the eyes of the British, but the first mate clarifies that he fears they are now damned in the eyes of God. Despite Lanser's skepticism of the idea, the second-in-command says he believes that they may be condemned to relive the final moments of the passengers on the doomed ship for eternity. The first mate's fears are realized – the attacking U-boat and its crew are condemned to sink the defenseless vessel over and over, with Lanser as an unwitting victim among those slaughtered without mercy. The story thus recounts Carl Lanser's private hell as the former U-boat commander re-materializes on the deck of the ship and the nightmare begins again...

    Closing narration

    “ "The S.S. Queen of Glasgow, heading for New York, and the time is 1942. For one man it is always 1942—and this man will ride the ghost ship every night for eternity. This is what is meant by paying the fiddler. This is the comeuppance awaiting every man when the ledger of his life is opened and examined, the tally made, and then the reward or the penalty paid. And in the case of Carl Lanser, former Kapitan Lieutenant, Navy of the Third Reich, this is the penalty. This is the justice meted out. This is judgment night in the Twilight Zone."

    The state may vindicate evil, but God does not. We can convict and punish ourselves for our crimes. That can frequently be far worse than any other form of judgement because it is eternal in our minds. Avoid the trap Captain Lancer found himself in. Abstain from murder. After it's too late there's still redemption with Christ. Make use of it. 

    by Conspiracy Cafe on January 6, 2018 at 8:43 AM
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    The Agony and the Ecstasy is a 1965 American film directed by Carol Reed, starring Charlton Heston as Michelangelo and Rex Harrison as Pope Julius II. The film was partly based on Irving Stone's biographical novel of the same name. This film deals with the conflicts of Michelangelo and Pope Julius II during the painting of the Sistine Chapel's ceiling. It also features a soundtrack co-written by prolific composers Alex North and Jerry Goldsmith.

    Michelangelo Buonarroti (Charlton Heston) is a renowned sculptor of the Republic of Florence in the early 16th century. When Pope Julius II (Rex Harrison) commissions him to paint the Sistine Chapel, Michelangelo resists because he finds the ceiling's paneled layout of the Twelve Apostles uninspiring. Nonetheless, he is forced into taking the job. During the initial attempt, Michelangelo is discontent with the results and destroys the frescoes. He flees to Carrara and then into the mountains, where he finds inspiration from nature.

    Michelangelo returns and is allowed to paint the entire vault in a variety of newly designed biblical scenes. The work proceeds nonstop, even with Mass in session, as months turn to years. Michelangelo's work is threatened when he collapses due to fatigue. He is nursed back to health by Contessina de' Medici (Diane Cilento), daughter of his old friend Lorenzo de' Medici. After recovering, Michelangelo returns to work after learning he is at risk of being replaced by Raphael (Tomas Milian).

    Meanwhile, the Papal States are threatened during the War of the League of Cambrai. Preparing for battle and having reached the limits of his patience, the Pope terminates Michelangelo's contract. Raphael, impressed with the work in progress, asks Michelangelo to show humility and finish the ceiling. When the injured and weakened Pope returns, Michelangelo pleads for him to restore the patronage. Though the Pope believes an invasion of Rome is inevitable, he raises the money needed to resume work on the ceiling.

    One night, Michelangelo finds the ailing Pope inspecting the portrait of God in The Creation of Adam, which the Pope declares "a proof of faith." He then collapses and becomes bedridden. Though everyone assumes that the Pope will die, Michelangelo goads him into having the will to live. The tide of war turns in favor of the Papal States, as allies pledge to assist the Pope.

    A Mass is held in which the congregation is shown the completed ceiling. After the ceremony, Michelangelo asks to begin carving the Pope's tomb. Realizing he has a short time to live, the Pope agrees. Together, the men admire the masterpiece of the Sistine Chapel.

    From the glory of GOD CREATION! Enjoy the story behind the great work and God's disciple of the ceiling. The Pope didn't pay Michelangelo. He took advantage of him. The Pope lost his kingdom to war and his life. The creation still adorns the world. History has forgotten Julius II and enshrined Michelangelo. That is the deeper moral of the story. Please take SPECIAL NOTE of Michelangelo stating we are created in God's image. There is no shame. As I have understood, God asked Adam who told you you were naked? Satan of course. In live and in the film who tells you you are naked? Logic asigns them a master Satan. 


    Pope Julius II

  • 77 Sunset Strip S1 EP1 Girl on the Run
    by Conspiracy Cafe on January 4, 2018 at 6:42 PM
    40 Views - 0 Comments


    77 Sunset Strip is an American television private detective series created by Roy Huggins and starring Efrem Zimbalist Jr., Roger Smith, and Edd Byrnes. Each episode was one hour long. The show ran from 1958 to 1964.

    The series revolves around two Los Angeles private detectives, both former government secret agents: Efrem Zimbalist, Jr., played Stuart ("Stu") Bailey, a character Huggins had originated in his 1946 novel The Double Take (which he later adapted into the 1948 movie I Love Trouble, starring Franchot Tone in the role). Roger Smith played Jeff Spencer, also a former government agent, and a nonpracticing attorney. The duo worked out of a stylish office at 77 Sunset Boulevard (colloquially known as Sunset Strip), between La Cienega Boulevard and Alta Loma Road on the south side of the strip next door to Dean Martin's real-life lounge, Dino's Lodge. Suzanne, the beautiful French switchboard operator played by Jacqueline Beer, handled the phones.

    Comic relief was provided by Roscoe the racetrack tout (played by Louis Quinn), and Gerald Lloyd "Kookie" Kookson III (played by Edd Byrnes), the rock and roll-loving, wisecracking, hair-combing hipster and aspiring PI who worked as the valet parking attendant at Dino's, the club next door to the detectives' office. Byrnes had originally been cast as a contract killer in the series pilot, but proved so popular that he was brought back in a new role for the series.

    Despite Huggins' hopes for a hard-edged drama, the tone of the series was much lighter and featured a strong element of self-deprecating humor. Many of the episodes were named "capers". The catchy theme song, written by the accomplished team of Mack David and Jerry Livingston, typified the show's breezy, jazzed atmosphere. The song became the centerpiece of an album of the show's music in Warren Barker-led orchestrations, which was released in 1959, a top-10 hit in the Billboard LP charts.

    1 1 "Girl on the Run" Richard L. Bare Marion Hargrove,

    Roy Huggins October 10, 1958

    Pilot and premiere episode of the series. Edd Byrnes acted out a contract killer in this episode, but he later became a series regular in the role of Gerald Lloyd "Kookie" Kookson III, parking valet at Dino's Club, the nightclub next door to the agency.

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